Summer Reading List

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Call me weird, but I get excited when my daughter brings home her summer reading list. I can’t wait to see which books the teachers selected. And I feel a certain vindication when one of my favorites makes the cut.

I’m always tempted to read one of the books on the list as a way to connect with my daughter. But after the Twilight mother-daughter book club debacle – I read all four books and she decided after the first one they were too boring – I realized she doesn’t share my enthusiasm for reading. Not to mention the fact that most of the books on her list get read two weeks before school starts in a rush mode that doesn’t invite much conversation. So this year I’ve decided to create my own summer reading list.

Last weekend I read through the New York Times book section for ideas, but nothing jumped out at me. I almost abandoned the idea, but then it occurred to me that my daughter’s list had a plan behind it. The teachers develop the list as a gateway to the coming school year. It’s designed to engage the mind and challenges thinking.  Of course the planning and foresight is often lost on high school students, but the premise of using the lazy days of summer to contemplate new ideas is inspiring.

So here is The Confident Writer’s summer reading list to nurture our inner writer. The list focuses more on categories than specific books. If the books listed don’t interest you, pick another one. The idea is to challenge your thinking and enrich your craft.   Read one from each category or pick your favorites.   Here’s the list:

  • A classic. I know there is some debate about what actually constitutes a classic, butthat doesn’t really matter for our purposes. What’s important is reading somethingthat has stood the test of time. I plan to read either House of Mirth (Edith Wharton) or Lady Chatterley’s Lover (D. H. Lawrence). My only motivation for choosing these two books is that they are both currently on my bookshelf unread.


  • A book on craft. The summer is the perfect time to commit to reading an instructional book, because we are more open to try new ideas. And though this blog is about writing, there are craft books for whatever you like to do. I plan to read either Turning Life into Fiction (Robin Hemley) or Writers and Their Notebooks (Diana Raab).

    • A collection of stories or essays. I’ve been dabbling in this genre with my own writing so I need to read more of it. I’m particularly interested pieces about relationships between men and women as well as suburbia. The nice thing about reading a collection is that you can read it in tiny snippets. My two picks are either How to Be Alone (Jonathan Franzen) or Eleven Kinds of Loneliness (Richard Yates).

Can you think of other books or categories that would be good to add to the list?  It’ll be fun to see what everyone is interested in. Share what you’re planning to read this summer.

Five Ways to Refresh Your Writing

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Nothing kills creativity like being stuck in a writing rut. Circling around the same old tired topics make writing flat and uninspiring. And if you’re like me, you find yourself avoiding your writing time. The kitchen has to be cleaned. The dogs fed. Facebook checked. But there are five ways you can breath new life into your writing.

1.  Take an excursion to some new in your community.

Visiting somewhere new stimulates our senses. I recently went to an art fair in an
Atlanta neighborhood. The architecture of the homes was so different than the suburb where I live.

People hung art on their siding. The houses were painted wild and interesting colors. It made me think about the differences between someone who would live those homes and someone in the suburbs. I started to do little character sketches in my mind. I regretted not having my camera to capture what I saw.

2.  Look at old photos

Photographs are excellent writing prompts. But old photos elicit memories and images of time gone by. I came across on an old photograph of my grandparents’ house. It was taken before I was born. The neighborhood looked different, but the house was exactly the same. As I studied the picture, I was reminded of the generations that had grown up in and around that house. I remembered the warm summer evenings sitting on the porch, rocking back and forth on the glider.

I also found a picture of me as the flower girl in my aunt’s wedding. My mind drifted back to the days before smart phones and cable television. It made me want to write about that little girl’s world.

3.  Visit an antique store

There are so many interesting items in antiques stores. There have tons of jewelry, coins, furniture, household tools, dishes and clothing to spark your imagination.  You could write about how a particular item wound up in the shop or use as a prop in your story. The Secret Lives of Dresses is a novel about a woman who discovers each dress in her grandmother’s vintage dress shop has a special story.

4.  Eavesdrop

I had mixed emotions about adding this to the list. But to be honest, I have gotten some the best lines from things that I’ve overheard at the grocery store. Of course, restaurants are wonderful because of the interaction between people as they eat. Sometimes I pay more attention to what’s going on at other tables than my own. Some might call that nosy, but I call it research.  In fact, I wrote an entire short story from a conversation I heard while waiting at a restaurant bar for my girlfriends. I was so inspired that I woke up the next morning writing. It was exciting to have a fresh idea to work with.

5.  Change your perspective

We often write from our own perspective. I always look at the story or the issue through the eyes of a woman. However, sometimes I switch perspectives to get a better view of the story. It helps me to see the situation differently. I end up noticing things I wouldn’t have otherwise. I begin to understand what motivates people to do and think like they do. I wrote a story years ago about a woman who left her husband. One of the writing groups I shared it with said she was a complete bitch. I was so angry about their assessment. I ended up abandoning the story after several rejections. Recently, I rewrote the story from her husband’s perspective. Not only did it help me to get a more complete picture of the story, it also helped me to see why the other group thought she was a bitch.

There are a ton of other things you can do to refresh your writing, but I’m going to stop here.

How do you liven things up in your writing?

Memories

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This week, I’ve been thinking a lot about the past. It tends to happen when a loved one dies. Conversations and experiences resurfaced in such vivid details that the writer in me wanted to sit down and mine those memories for material for my writing. But I couldn’t. There were too many other things going on around me and in me.

I played solitaire on my computer, instead.

Yesterday, I gathered with my family to support my aunt and cousin, reconnecting with relatives I hadn’t seen in years. With each interaction pieces of the past emerged. I wondered why I didn’t have such rich recollections when I’m sitting at my desk writing. I wanted to jot down notes so that I would remember all the images and stories that were floating through my mind. But then I’d glance toward my cousin’s coffin and suddenly couldn’t remember what was so important. Grief took over.

I wasn’t in control. My emotions were raw. Images, reminiscences and thoughts came up without a filter.  And it occurs to me that in there is a valuable writing lesson.

When we let go of control, we have access to so much rich material within us.

Here's to the crazy ones....

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   My daughter received this quote from one of her teachers at the end of the year last year.  I copied it and have it on my inspiration board.

Here’s to the crazy ones.

The misfits.  The rebels.  The troublemakers.  The round pegs in the square holes.

The ones who see things differently.

They’re not fond of rules.  And they have no respect for the status quo.

Read more… 122 more words

A little encouragement for your crazy ideas.

The Metropolitan Museum of Art: Inspiring and Money-saving

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The one activity I love more than writing is shopping. So whenever I go to Manhattan, I rarely make it off of Fifth Avenue. Something about walking down that street with a bunch of bags in my hand really trips my trigger. But believe it or not, last Friday I decided to branch out. I spent the afternoon at The Metropolitan Museum of Art.

I only had a three hours to explore the museum, so I researched which exhibit I wanted to visit before I left Atlanta. I selected The Steins Collect: Matisse, Picasso, and the Parisian Avant-Garde, a special exhibition open through June 3, 2012. I’ve never read anything by Gertrude Stein, but Hemingway wrote a lot about her in A Moveable Feast. I was also familiar with her influence on Pablo Picasso from a guided tour of a Picasso museum in Barcelona. And I loved Monica Truong’s fictional account of the Parisian household she shared with Alice B. Toklas in The Book of Salt. I had enough knowledge of the famous literary and artistic salons hosted at 27 rue de Fleurus to not only enjoy the collection, but also study it (from a totally non-art history perspective).

As I walked around looking at the paintings, I was a little intimidated by the artist standing around the galleries sketching paintings. I wanted to be able to translate what I was seeing into something I could use for my writing. But then I came across  Melancholy Woman by Pablo Picasso. It made me want to write.

The color and texture totally set the mood of the painting. The layered shades of blue, mossy green and gray made me feel the despair. I longed to be able to evoke such powerful emotions with words. But often I struggle to find the right words to capture intensity of a feeling. I end up writing around the mood – telling rather than showing.

I almost concluded it would have been easier to be a painter until I noticed Head of a Sleeping Woman (Study for Nude with Drapery) by Pablo Picasso. It hung next to eight studies of the same subject done with different media (watercolor and gouache, oil wash, tempera and watercolor, Conte crayon, gouache) and on a variety of surfaces (paper, canvas, paper mounted on board, paper mounted on canvas, paper mounted on panel and cardboard).

Including the word study in the title suggests Picasso was playing with the subject and the form. He used aspects of the eight other pictures to create the final painting. It screamed revision. It also confirmed the need to spend time with you work studying the various pieces that create the whole. So, I concluded that in order to evoke a mood in words, the writer has to go back and inhibit the moment from a variety of perspectives and vantage points, creating a study of the subject. I stood next to a woman sketching the painting as I wrote my notes on my Iphone.

I felt like an artist. It was almost as if I were in one of the Stein’s salons.

As I wandered through the rest of the exhibit, I discovered Gertrude Stein was often the subject of several sculptures, drawings, painting and photographs. The artist who visited her salons would have her pose for them and in return she would write word portraits of the artist. I was totally intrigued by the way she merged art and words.

Just before I left the exhibit, I stopped at a photograph of Gertrude Stein at her desk with Alice B. Toklas standing in the doorway. The neatness of Stein’s desk and Toklas position outside of the office spoke to me. Something in Stein’s face suggested that her office was a sacred place for her work. It made me realize how much I had let the chaos of my life encroach on my art. I felt the need to reclaim my creative space. I suddenly wished I could talk to Gertrude Stein about writing and art. So I bought her book, The Autobiography of Alice B. Toklas, in the gift shop on my way out.

I’ll let you know what I discover.

The day after I visited The Met, I found myself on Fifth Avenue going from shop to shop. But it just didn’t feel the same. I kept thinking about the magnificent pieces of art I had seen the day before. I wanted to go back and wonder around another gallery. I purchased a tube of lipstick and went back to the hotel.

Who knew visiting The Met could save you a ton of money?

Writing on the go

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I’m on my way to New York to watch my daughter’s chorus perform at Carnegie Hall. So I’m writing this post from 38,000 feet. I figured it would be a good use of my flight time. I usually write in my office with all my writerly things around me. It puts me in the mood. However, I haven’t been able to spend much time in my office because of my travel schedule. It creates a writing dilemma.

My first inclination is not to write. That’s what I did in February and most of March. But then I’d have to deal with the loathing thing writers do to themselves when they don’t write. So the question becomes how do you get the work done on the go?

Here are three suggestions to keep writing when you’re away from your regular routine.

1. Go low tech. Take along a notebook and a pen. Last week, I took a fresh notebook to the beach. I spent every morning sittting on my balcony writing. The new scenario inspired me. Writing in the notebook freed up my need to control the writing. I started a new piece that surprised me.

2. Use your smart phone. For some this is a no-brainer. For others writing on those little devices is less than appealing. However, there are some great journaling apps. I like NoteMaster and MyJournal. Write down quick ideas or write when the opportunity presents itself. It isn’t ideal, but it’s better than losing your flow.

3. Revise. Print pages of your work to take with you. Being away from the computer gives you time to think. Record your thoughts on the page so that when you return to your office you’ll be further along in the process.

I’m not suggesting this will be your best work, but it keeps you writing.

Monday’s Motivating Word

FLOW

I’m at the beach this week and was very tempted to skip my blog. But as I watched the waves roll toward the shore, it occurred to me that I needed to stay in the flow of writing. There will always be something else to do other than write. So, we have to resist the temptation to stop.

If you’re in the flow of things, stay there. If you’re not, catch that next wave.

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Monday’s Motivating Word

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MOMENTUM

Last night, my son asked why I stopped writing my blog. The question surprised me. I didn’t realize he read it regularly enough to know I hadn’t written anything in a few weeks. I have had this mental block since February when I went on an unexpected birthday trip to Charleston. I didn’t write my normal Monday post because I wanted to enjoy my vacation. Then the next week I had a trip to Chicago for AWP (Association of Writers and Writing Programs). I was too focused on networking with other writers to do any writing. And once I got back from Chicago, I headed off to Napa Valley with my husband. Who can write when there is wine to be tasted?

Through the course of all that traveling, I lost the energy needed to write the series on women writers. I no longer had the internal drive to get the work done. To be honest, I just didn’t care any more. It felt too much like a chore.  Then I received another rejection letter, and I wondered if it was even worth it to spend time writing at all. Thank God I have a friend from my writing group who won’t leave me alone. If it weren’t for her, I probably wouldn’t have written anything at all last month. I completely lost my momentum. I could spend the rest of this post speculating on why, but I doubt that would be very motivating.

Writing is kind of like exercising. When you’re in the flow, you don’t have to force yourself to go to the gym. You just go. There is something in your body pushing you forward, driving your behavior. You want to workout. Your body craves it. The movement feels good. You can’t imagine why you would ever stop. But then something happens. You miss a day because you’re tired, and then the next thing you know it has been two months since the last time you worked out. You have to build your momentum again. You have to push yourself in order to get back into the flow.

Well, that’s what this post is all about. I’m putting myself in motion. I’m rebuilding my writing momentum. It’s not easy. But the development of a process creates energy to drive our behavior. So today I worked out for an hour and now I’m at my desk, writing.

Where do you need to build momentum? What do you need to make happen?

Ode to Natalie Goldberg

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Writing Down the Bones: Freeing the Writer Within is the one book – other than the Bible – that has had the greatest influence on my life. Prior to reading it, my writing was sporadic at best. Ideas would float in and out of my mind, but I wasn’t committed to a regular schedule. I wrote when the mood hit me or when I had time, which wasn’t often with three young children. Though I always had the desire to write, I couldn’t figure out how to make it fit into my life. I shared this with a co-worker and she recommended Goldberg’s book.

Each short chapter suggested practical ways to approach writing, giving the reader a variety of techniques and methods to work with. My favorite technique is timed writing exercises, which Goldberg calls a “basic unit of writing practice.” She suggests that you time yourself for a specific amount – say ten minutes, twenty minutes or even an hour – to write.  The specific amount of time doesn’t matter only that you commit yourself to the full period. Goldberg pairs the timed writing exercise with the idea of free writing. She list five rules:

  1. Keep your hand moving. (Don’t pause to reread the line you have just written. That’s stalling and trying to get control of what you’re saying.)
  2. Don’t cross out. (That is editing as you write. Even if you don’t mean to write, leave it.)
  3. Don’t worry about spelling, punctuation, and grammar. (Don’t even care about staying within the margins and lines on the page.)
  4. Lose control.
  5. Don’t think. Don’t get logical.
  6. Go for the jugular. (If something comes up in your writing that is scary or naked, dive right into it. It probably has lots of energy.)

 Writing Down the Bones 

[Years later, I learned Goldberg was referring to theories of the writing process developed by Peter Elbow. Though I used Elbow’s books Writing Without Teachers and Writing With Power in my composition classes, I always thought Goldberg’s book made those theories accessible.]

Goldberg relates free writing to what she calls “first thoughts” and explains their importance this way:

These are the rules. It is important to adhere to them because the aim is to burn through to first thoughts, to the place where energy is unobstructed by social politeness or the internal censor, to the place where you are writing what your mind actually sees and feels, not what it thinks it should see or feel.

This idea was revolutionary to me. It allowed me to just write without worrying if it sounded ‘right’ or was grammatically correct. It gave me permission to freely connect with my thoughts and ideas.  I began to develop as a writer.  I regularly scheduled fifteen-minute blocks three times a week to write in my notebook. Those few minutes became a refuge from my busy life as a working mother. There would be days when I would pull into the parking lot at a park to write before picking up my kids from day care. Learning how to access my first thoughts helped me to begin to trust my own thinking. I filled notebook after notebook with free writing. The free writing began to turn into stories. After three years of regular writing practice, I found myself enrolled in a master’s level Written Communications program.

Writing Down the Bones taught me that I have something important to say. It helped me to believe in myself as a writer. The very first article I ever had published was developed from a free write I wrote shortly after I started reading Goldberg’s book. As a result, I firmly trust the process of free writing and first thoughts. So much so that after fifteen years I still begin my writing time with a timed free write. The act of writing uninhibited by censorship and editing has led to countless discoveries and answered many questions. However, Goldberg’s greatest influence on me is how I think about writing. I firmly believe that we become good writers when we trust the writer within. That small voice inside holds the key to creativity and truth.

I have preached the concepts in this book so much over the years that I can’t tell you how many times I have recommended it or given away my own copy. I should probably see if there is a way for me to get a commission from the publisher.

If you haven’t read Writing Down Bones, I suggest you get a copy right away. I’m so psyched about this book that one lucky reader is going to get a free copy.  Stay tuned for details on how.

Ten Women Writers Who Most Influenced My Work

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Helensadornementsblog just started a series called, Ten Influential Women Who Have Influenced My Life and Inspired Me. The blog features a post about how each of the women on the list has played a part in how Helen makes daily decisions and lives her life. It reminded me of all women writers who have guided me throughout my journey as a writer. But the following ten women have had the most powerful impact:

Natalie Goldberg

Anne Lamott

Anna Quindlen

Kate Chopin

Bebe Moore Campbell

Dorothy West

Judy Blume

Virginia Woolf

Joyce Carol Oates

Sylvia Path

I’ve read several books by each. Though the themes and styles vary, they all write about the complexity of life as a woman and/or writer. I’ve learned much from their work. I owe every woman on the list a ton of gratitude.

My plan is to celebrate these women by writing a post about each one, including a brief biography, overview of the works I’ve read, and a lesson I’ve learned about writing. I also hope to throw in a favorite quotes and/or scenes.

I’m really looking forward to this series. I hope you’ll share who has influenced your work along the way.

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